Abstract
While the trajectories of minimalist light art and assemblage art have been historically distinct, these movements seek to produce similarly charged atmospheres that transcend common material associations. A marriage of these traditions employing programmable light nets and reused beverage containers seeks to capitalize on this similarity, shifting deeply embedded cultural readings of a ubiquitous consumer product via integrated illumination that alters the material's inherent banality.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 30-36 |
| Number of pages | 7 |
| Journal | Journal of Architectural Education |
| Volume | 62 |
| Issue number | 2 |
| DOIs | |
| State | Published - 2008 |