Processes: BigBang’s Operation Graph

Guerino Mazzola; René Guitart; Jocelyn Ho; Alex Lubet; Maria Mannone; Matt Rahaim; Florian Thalmann

doi:10.1007/978-3-319-64481-3_17

Processes: BigBang’s Operation Graph

Guerino Mazzola, René Guitart, Jocelyn Ho, Alex Lubet, Maria Mannone, Matt Rahaim, Florian Thalmann

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

The main idea behind the BigBang rubette is to give composers and improvisers a way to use the software RUBATO® Composer in a way that is more intuitively understandable, more spontaneous, and more focused on audible results than on the mathematical underpinnings. After discussing the types of facts available in BigBang we need to examine how we can create them and what we can do with them. From earlier in this book we now know that both of these activities, making and manipulating, are instances of processes. BigBang keeps track of these processes in a more sophisticated way than other musical software, especially ones dedicated to symbolic structures.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	1127-1141
Number of pages	15
DOIs	https://doi.org/10.1007/978-3-319-64481-3_17
State	Published - 2017

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

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© 2017, Springer International Publishing AG, part of Springer Nature.

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Processes: BigBang’s Operation Graph

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