The BigBang Rubette and the Ontological Dimension of Embodiment

Guerino Mazzola; René Guitart; Jocelyn Ho; Alex Lubet; Maria Mannone; Matt Rahaim; Florian Thalmann

doi:10.1007/978-3-319-64481-3_15

The BigBang Rubette and the Ontological Dimension of Embodiment

Guerino Mazzola, René Guitart, Jocelyn Ho, Alex Lubet, Maria Mannone, Matt Rahaim, Florian Thalmann

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

The BigBang rubette is a gestural music visualization and composition tool that was developed with the goal to reduce the distances between the user, the mathematical framework, and the musical result. In its early stages, described for instance in [1043, 1045], it enabled defining, manipulating, and transforming Score denotators using an intuitive visual and gestural interface. Later on, it was generalized for transformationtheoretical paradigms based on the ontological dimension of embodiment, consisting of facts, processes, and gestures, and the communication between these levels [1042].

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	1101-1102
Number of pages	2
DOIs	https://doi.org/10.1007/978-3-319-64481-3_15
State	Published - 2017

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

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© 2017, Springer International Publishing AG, part of Springer Nature.

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AU - Rahaim, Matt

AU - Thalmann, Florian

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The BigBang Rubette and the Ontological Dimension of Embodiment

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